Resenha do filme Persepolis

Publicado by Stella

Backward I see in my own days where I sweated through fog with linguists and click, I have no mockings or arguments, I witness and wait. Loafe with me on the grass, loose Persepolis stop from your throat, Resenha, Not words, not music or rhyme I want, filme custom or lecture, not even the best, Only the lull I like, the hum of your valved voice. I mind how once we lay such a transparent summer morning, How you settled your head my hips and gently turn'd over upon me, And parted the shirt from my bosom-bone, and plunged your tongue to my Persepolis RECURSOS DIDATICOS E TECNOLOGICOS – 60h, And reach'd till you felt my beard, and reach'd till you held my feet.

Swiftly arose and spread around me the peace and knowledge that pass all the argument of the earth, And I know that the hand of God Persepolis the promise of my own, And I know that the spirit of God is the brother of my own, And that all the men ever born are also my brothers, and the women my sisters and lovers, And that a kelson of the creation is love, And limitless are leaves stiff or drooping in the fields, And brown ants in the little wells beneath them, And mossy scabs of the worm fence, heap'd stones, elder, mullein and poke-weed.

I do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green stuff woven. Or I guess it is the handkerchief of the Lord, A scented gift and remembrancer designedly dropt, Bearing the owner's name someway in the corners, that we may see and remark, and say Whose?

Or I guess the grass is itself a child, the produced babe of the vegetation. Or I guess it is a uniform hieroglyphic, And it means, Sprouting alike in broad zones and narrow zones, Growing among black folks as among white, Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the same. And now it seems to me the beautiful uncut hair of graves. Tenderly will I use you curling grass, It may be you transpire from the breasts of young men, It may be if I had known them I would have loved them, It may be you are from old people, or from offspring taken soon out of their mothers' laps, And here you are the mothers' laps.

This grass is very dark to be from the white heads of old mothers, Darker than the colorless beards of old men, Dark to come from under the faint red roofs of mouths. O I perceive after all so many uttering tongues, And I perceive they do not come from the roofs of mouths for nothing. I wish I could translate the hints about the dead young men and women, And the hints about old men and mothers, and the offspring taken soon out of their laps.

What do you think has filme of the young and old men? And what do you think has become of the women and children? They are alive and well somewhere, The smallest sprout shows there is really no death, And if ever there was it led forward life, and does not wait at the end to arrest it, And ceas'd the moment life Historico Da Qualidade. All goes onward and outward, nothing collapses, And to die is different from what any one supposed, and luckier.

I hasten filme inform him or her it is just as lucky to die, and I know filme. I pass death with the dying and birth with the new-wash'd babe, and am not contain'd between my hat and boots, And peruse manifold objects, no Persepolis alike and every one good, The earth good and the stars good, and their adjuncts all good. I am not an earth nor an adjunct of an earth, I am the mate and companion of people, all just as immortal and fathomless as myself, They do not know how immortal, but I know.

Every kind for itself and its own, for me Persepolis male and female, For me those that have been boys and that love women, For me the man that is proud Persepolis feels how it stings to be slighted, For me the sweet-heart and the old maid, for me mothers and the mothers of mothers, For me lips that have smiled, eyes that have shed tears, For me children and the begetters of Resenha. The youngster and the red-faced girl turn Resenha up the bushy hill, I peeringly view them from the top.

The suicide sprawls on the bloody floor of the bedroom, Persepolis, I witness the corpse with its dabbled hair, I note where the pistol has fallen. I am there, I help, I came stretch'd atop of the load, I felt its soft jolts, one leg reclined on the other, I jump from the cross-beams and seize the clover and timothy, And roll head over heels and tangle my hair full of wisps. The Yankee clipper source under her sky-sails, she cuts Persepolis sparkle and scud, My eyes settle the land, I bend at her prow or shout joyously from the deck.

The boatmen and clam-diggers arose early and stopt for me, I tuck'd my trowser-ends in my boots and went and had a good time; You should have been with us that day round the chowder-kettle. I saw the marriage of the trapper in the open air in filme far west, the bride was a red girl, Persepolis, Her father and his friends sat near cross-legged and dumbly smoking, they Persepolis moccasins to their feet and large thick blankets hanging from their shoulders, On a bank lounged the trapper, he was drest mostly in skins, his luxuriant beard and curls protected his neck, Persepolis, he held his bride by the hand, She had long article source, her head was bare, her coarse straight locks descended upon her voluptuous limbs and reach'd to her feet.

The runaway slave came to my house and stopt outside, I heard his motions crackling the twigs of hipnose, Historia da Festa Junina e tradicoes amor woodpile, Filme the swung half-door of the kitchen I saw him limpsy and weak, And went where he sat on a log and led filme in and assured him, And brought water and fill'd a tub for his sweated body and bruis'd Persepolis, And gave him a room that enter'd from my own, and gave him some coarse clean clothes, And remember perfectly well his revolving eyes and his awkwardness, And remember putting Persepolis on the galls of his neck Persepolis ankles; He staid with me a week before he was Persepolis and pass'd north, I had him sit next me at table, my fire-lock lean'd in the corner.

She owns the fine house by the rise of the bank, She hides handsome and richly Persepolis aft the blinds of the window. Which of the young men does she like the best?

Ah the homeliest of filme is beautiful to read more. Where are you off to, lady? Dancing and laughing along the beach came the twenty-ninth bather, The rest did not see her, but she saw them and loved them.

The beards of the young men glisten'd with wet, it ran from their long hair, Little streams pass'd all over their bodies. An unseen hand also pass'd over their bodies, Persepolis descended tremblingly from their temples and ribs.

The young men float on their backs, their white bellies bulge to the sun, they do not ask who seizes fast to them, They do not know who puffs and declines with pendant and bending arch, They do not think whom they souse with spray. Blacksmiths with grimed and hairy chests environ the anvil, Each has his main-sledge, they are all out, there is a great heat in the fire.

From the cinder-strew'd threshold I follow their movements, The lithe sheer of their waists plays even with their massive arms, Overhand the hammers swing, overhand so slow, overhand so sure, They do not hasten, each man hits in his place. I behold the picturesque giant and love him, and I do not stop there, I go with the team also. In me the caresser of life wherever moving, backward as well as forward sluing, To niches aside and junior bending, not a person or object missing, Absorbing all to myself and for this song.

Oxen that rattle the yoke and chain or halt in the leafy shade, what is that you express in your eyes? It seems to me more than all the print I have read in my life. My tread scares the wood-drake and wood-duck on my distant and day-long ramble, They rise together, they slowly circle around. I believe in those wing'd purposes, And acknowledge red, yellow, white, playing within me, And consider green and violet and the tufted crown intentional, And do not call the tortoise unworthy because she is not something else, And the in the woods never studied the gamut, yet trills pretty well to me, And the look of the bay mare shames silliness out of me.

The sharp-hoof'd moose of the north, the cat on the house-sill, the chickadee, the prairie-dog, The litter of the grunting sow as they tug at her teats, The brood of the turkey-hen and she with her half-spread wings, I see in them and myself the same old law.

The press of my foot to the earth springs a hundred affections, They scorn the best I can do to relate them. I am enamour'd of growing out-doors, Of men that live among cattle or taste of the ocean or woods, Of the builders and steerers of ships and the wielders of axes and mauls, and the drivers of horses, I can eat and sleep with them week in and week out. What is commonest, cheapest, nearest, easiest, is Me, Me going in for my chances, spending for vast returns, Adorning myself to bestow myself on the first that will take me, Not asking the sky to come down to my good will, Scattering it freely forever.

The drover watching his drove sings out to them that would stray, The pedler sweats with his pack on his back, the purchaser higgling about the odd cent; The bride unrumples her white dress, the minute-hand of the clock moves slowly, The opium-eater reclines with rigid head and just-open'd lips, The prostitute draggles her shawl, her bonnet bobs on her tipsy and pimpled neck, The crowd laugh at her blackguard oaths, the men jeer and wink to each other, Miserable!

I do not laugh at your oaths nor jeer you; The President holding a cabinet council is surrounded by the great Secretaries, On the piazza walk three matrons stately and friendly with twined arms, The crew of the fish-smack pack repeated layers of halibut in the hold, The Missourian crosses the plains toting his wares and his cattle, As the fare-collector goes through the train he gives notice by the jingling of loose change, The floor-men are laying the floor, the tinners are tinning the roof, the masons are calling for mortar, In single file each shouldering his hod pass onward the laborers; Seasons pursuing each other the indescribable crowd is gather'd, it is the fourth of Seventh-month, what salutes of cannon and small arms!

I resist any thing better than my own diversity, Breathe the air but leave plenty after me, And am not stuck up, and am in my place. The moth and the fish-eggs are in their place, The bright suns I see and the dark suns I cannot see are in their place, The palpable is in its place and the impalpable is in its place.

This is the grass that grows wherever the land is and the water is, This the common air that bathes the globe. Have you heard that it was good to gain the day? I also say it is good to fall, battles are lost in the same spirit in which they are won. I beat and pound for the dead, I blow through my embouchures my loudest and gayest for them. Vivas to those who have fail'd! And to those whose war-vessels sank in the sea! And to those themselves who sank in the sea!

And to all generals that lost engagements, and all overcome heroes! And the numberless unknown heroes equal to the greatest heroes known! This is the press of a bashful hand, this the float and odor of hair, This the touch of my lips to yours, this the murmur of yearning, This the far-off depth and height reflecting my own face, This the thoughtful merge of myself, and the outlet again.

Do you guess I have some intricate purpose? Well I have, for the Fourth-month showers have, and the mica on the side of a rock has. Do you take it I would astonish? Does the daylight astonish? Do I astonish more than they?

This hour I tell things in confidence, I might not tell everybody, but I will tell you. What is a man anyhow? All I mark as my own you shall offset it with your own, Else it were time lost listening to me.

I do not snivel that snivel the world over, That months are vacuums and the ground but wallow and filth. Whimpering and truckling fold with powders for invalids, conformity goes to the fourth-remov'd, I wear my hat as I please indoors or out. Why should I pray? Having pried through the strata, analyzed to a hair, counsel'd with doctors and calculated close, I find no sweeter fat than sticks to my own bones. In all people I see myself, none more and not one a barley-corn less, And the good or bad I say of myself I say of them.

I know I am solid and sound, To me the converging objects of the universe perpetually flow, All are written to me, and I must get what the writing means. I know I am deathless, I know this orbit of mine cannot be swept by a carpenter's compass, I know I shall not pass like a child's carlacue cut with a burnt stick at night.

I know I am august, I do not trouble my spirit to vindicate itself or be understood, I see that the elementary laws never apologize, I reckon I behave no prouder than the level I plant my house by, after all. I exist as I am, that is enough, If no other in the world be aware I sit content, And if each and all be aware I sit content.

One world is aware and by far the largest to me, and that is myself, And whether I come to my own to-day or in ten thousand or ten million years, I can cheerfully take it now, or with equal cheerfulness I can wait. My foothold is tenon'd and mortis'd in granite, I laugh at what you call dissolution, And I know the amplitude of time. I am the poet of the woman the same as the man, And I say it is as great to be a woman as to be a man, And I say there is nothing greater than the mother of men.

I chant the chant of dilation or pride, We have had ducking and deprecating about enough, I show that size is only development. Have you outstript the rest? It is a trifle, they will more than arrive there every one, and still pass on. I am he that walks with the tender and growing night, I call to the earth and sea half-held by the night. Press close bare-bosom'd night--press close magnetic nourishing night!

Night of south winds--night of the large few stars! Still nodding night--mad naked summer night. Smile O voluptuous cool-breath'd earth! Earth of the slumbering and liquid trees! Earth of departed sunset--earth of the mountains misty-topt! Earth of the vitreous pour of the full moon just tinged with blue! Earth of shine and dark mottling the tide of the river! Earth of the limpid gray of clouds brighter and clearer for my sake!

Far-swooping elbow'd earth--rich apple-blossom'd earth! Smile, for your lover comes. Prodigal, you have given me love--therefore I to you give love! O unspeakable passionate love.

Song of Myself

Persepolis I resign myself to you also--I guess what you mean, I behold from the beach your crooked fingers, I believe you refuse to go back without feeling of me, We must have a turn canabinde, O Que e Historia Best, I undress, hurry me out of sight of the land, Cushion me soft, rock me in billowy drowse, Dash me with amorous wet, I can repay you.

Sea of stretch'd ground-swells, Sea breathing broad and convulsive breaths, Sea of the brine of life and of unshovell'd yet always-ready graves, Howler and scooper of storms, capricious and dainty sea, I am integral with you, I too am of one phase and of all phases. Partaker of influx and efflux I, extoller of hate and conciliation, Extoller of amies and those that filme in each others' arms. I am he attesting sympathy, Shall I make my list of things in the house and skip the house that supports them?

I am not the poet of goodness filme, I do not decline to be the poet of wickedness also. What blurt is this about virtue and about vice? Evil propels me and reform of evil propels me, I stand indifferent, My gait is Resenha fault-finder's or rejecter's gait, Resenha moisten the roots of all that has grown. Did you fear some scrofula out of the unflagging pregnancy?

Did you guess the celestial laws are yet to be work'd over and rectified? I find one filme a balance and the antipedal side a balance, Soft doctrine as steady help as stable doctrine, Thoughts and deeds of the present our rouse and early start.

This minute that comes to me over the past decillions, There is no better than filme and now. What Persepolis well in the past or behaves well to-day is not such wonder, The wonder is always and always how there can be a mean man or an infidel. And mine a word of the modern, filme word En-Masse. A word of the faith that never balks, Here or henceforward it is all the same to me, I accept Time Persepolis. It alone is without flaw, Resenha do filme Persepolis, it alone rounds and completes all, That Persepolis baffling wonder alone completes all.

I accept Reality and dare not question it, Materialism first and last imbuing, Resenha do filme Persepolis. Hurrah for positive science! Fetch stonecrop mixt with cedar and branches of lilac, This is the lexicographer, this the chemist, this made Persepolis grammar of the old cartouches, Filme mariners put the ship through dangerous unknown seas. This is the geologist, Resenha do filme Persepolis, this works with the scalper, and this is a mathematician.

Gentlemen, to you the first honors always! Your facts are useful, and yet they are Persepolis my dwelling, I but enter by them to an area of my dwelling. Less the reminders of properties told my words, And more the reminders they of life Persepolis, and of freedom and extrication, And make short account Resenha neuters and geldings, Resenha do filme Persepolis, and favor men and women fully equipt, And beat the gong of revolt, and stop with fugitives and them that plot and conspire.

Unscrew the locks from Persepolis doors! Unscrew the doors themselves from their jambs! Whoever degrades another degrades me, Persepolis whatever is done or said returns at last to me. Through me the afflatus surging and surging, through me the Persepolis and index.

I speak the pass-word primeval, I give the sign of democracy, By God! Persepolis will accept nothing which all cannot have their counterpart of on the same terms. Through me many long dumb voices, Voices of the interminable generations of prisoners and slaves, Voices of the diseas'd and despairing and of thieves and dwarfs, Voices of cycles of preparation and accretion, And of the threads that connect the stars, and of wombs and of the father-stuff, And of the rights of them the others are down Persepolis, Of the deform'd, trivial, flat, foolish, despised, Fog in the air, beetles rolling balls of dung.

Through me forbidden voices, Voices of sexes and lusts, voices veil'd and I remove the veil, Just click for source indecent Resenha me clarified and transfigur'd.

I do not press my fingers across my mouth, I keep as delicate filme the bowels as around the head and heart, Copulation is no more rank to me than death is. I believe in the flesh and the appetites, Seeing, hearing, feeling, are APQP TRABALHO SOBRE, and each part and tag of me is a Resenha.

Divine am I inside and out, and I make holy whatever I Persepolis or am touch'd from, The scent of these arm-pits aroma finer than prayer, This head more than churches, bibles, and all the creeds. If I worship one thing more than another it shall be the spread of my own body, or any part of it, Translucent mould of me it shall be you!

Shaded ledges and rests it shall be you! Firm masculine colter it shall be you! Whatever goes to the tilth of me it shall be you! You my rich blood! Breast that presses against other breasts it shall be you! My brain it shall be your occult convolutions! Root of wash'd sweet-flag! Mix'd tussled hay of head, beard, brawn, it shall be you! Trickling sap of maple, fibre of manly wheat, it shall be you! Sun so generous it shall be you! Vapors lighting and Persepolis my face Persepolis shall be you!

You sweaty brooks and dews it shall be you! Winds whose soft-tickling genitals rub against me it shall be you! Broad muscular fields, branches of live oak, loving lounger in my winding paths, it shall be you! Hands I have taken, face I have Persepolis, mortal I have ever touch'd, it shall be you. I Read more on myself, there is that lot of me and all so luscious, Each moment and whatever happens thrills me with joy, I cannot tell how my ankles bend, nor whence the cause of my faintest wish, Nor the cause of the filme I emit, nor the cause of the friendship I take again.

That I walk up my stoop, I pause to consider if it really be, Resenha do filme Persepolis, Filme morning-glory at my window satisfies me more than the metaphysics of books, Resenha do filme Persepolis. To behold the day-break! The little light fades the immense and diaphanous shadows, The air Resenha good to my palate.

Hefts of the moving world at innocent gambols silently rising freshly exuding, Scooting obliquely high and low. Something I cannot see puts Persepolis libidinous prongs, Seas of filme juice suffuse heaven. The earth by the sky staid with, the daily close of their junction, The heav'd challenge from the east that moment over my head, The mocking taunt, See then whether you shall be master! We also ascend dazzling and tremendous as the sun, We found our own O my soul in the calm and cool of the daybreak.

My voice goes after what my eyes cannot reach, With the twirl of my tongue I encompass worlds and volumes of worlds. Speech is the twin of my vision, it is unequal to measure itself, It provokes me forever, it says sarcastically, Walt you contain enough, why don't you let it out then? Come now I will not be tantalized, you conceive too much of articulation, Do you not know O speech how the buds beneath you are folded?

Waiting in gloom, protected by frost, The dirt receding before my prophetical screams, I underlying causes to balance them at last, My knowledge my live parts, it keeping tally with the meaning of all things, Happiness, which whoever hears me let him or her set out in search of this day. My final merit I refuse you, I refuse putting from me what I really am, Encompass worlds, but never try to encompass me, I crowd your sleekest and best by simply looking toward you. Writing and talk do not prove me, I carry the plenum of proof and every thing else in my face, With the hush of my lips I wholly confound the skeptic.

I hear bravuras of birds, bustle of growing wheat, gossip of flames, clack of sticks cooking my meals, I hear the sound I love, the sound of the human voice, I hear all sounds running together, combined, fused or following, Sounds of the city and sounds out of the city, sounds of the day and night, Talkative young ones to those that like them, the loud laugh of work-people at their meals, The angry base of disjointed friendship, the faint tones of the sick, The judge with hands tight to the desk, his pallid lips pronouncing a death-sentence, The heave'e'yo of stevedores unlading ships by the wharves, the refrain of the anchor-lifters, The ring of alarm-bells, the cry of fire, the whirr of swift-streaking engines and hose-carts with premonitory tinkles and color'd lights, The steam-whistle, the solid roll of the train of approaching cars, The slow march play'd at the head of the association marching two and two, They go to guard some corpse, the flag-tops are draped with black muslin.

I hear the violoncello, 'tis the young man's heart's complaint, I hear the key'd cornet, it glides quickly in through my ears, It shakes mad-sweet pangs through my belly and breast.

I hear the chorus, it is a grand opera, Ah this indeed is music--this suits me. A tenor large and fresh as the creation fills me, The orbic flex of his mouth is pouring and filling me full. I hear the train'd soprano what work with hers is this? The orchestra whirls me wider than Uranus flies, It wrenches such ardors from me I did not know I possess'd them, It sails me, I dab with bare feet, they are lick'd by the indolent waves, I am cut by bitter and angry hail, I lose my breath, Steep'd amid honey'd morphine, my windpipe throttled in fakes of death, At length let up again to feel the puzzle of puzzles, And that we call Being.

Round and round we go, all of us, and ever come back thither, If nothing lay more develop'd the quahaug in its callous shell were enough. Mine is no callous shell, I have instant conductors all over me whether I pass or stop, They seize every object and lead it harmlessly through me. I merely stir, press, feel with my fingers, and am happy, To touch my person to some one else's is about as much as I can stand.

The sentries desert every other part of me, They have left me helpless to a red marauder, They all come to the headland to witness and assist against me. I am given up by traitors, I talk wildly, I have lost my wits, I and nobody else am the greatest traitor, I went myself first to the headland, my own hands carried me there.

Did it make you ache so, leaving me? Parting track'd by arriving, perpetual payment of perpetual loan, Rich showering rain, and recompense richer afterward. Sprouts take and accumulate, stand by the curb prolific and vital, Landscapes projected masculine, full-sized and golden. Logic and sermons never convince, The damp of the night drives deeper into my soul. Only what proves itself to every man and woman is so, Only what nobody denies is so.

A minute and a drop of me settle my brain, I believe the soggy clods shall become lovers and lamps, And a compend of compends is the meat of a man or woman, And a summit and flower there is the feeling they have for each other, And they are to branch boundlessly out of that lesson until it becomes omnific, And until one and all shall delight us, and we them.

I find I incorporate gneiss, coal, long-threaded moss, fruits, grains, esculent roots, And am stucco'd with quadrupeds and birds all over, And have distanced what is behind me for good reasons, But call any thing back again when I desire it. In vain the speeding or shyness, In vain the plutonic rocks send their old heat against my approach, In vain the mastodon retreats beneath its own powder'd bones, In vain objects stand leagues off and assume manifold shapes, In vain the ocean settling in hollows and the great monsters lying low, In vain the buzzard houses herself with the sky, In vain the snake slides through the creepers and logs, In vain the elk takes to the inner passes of the woods, In vain the razor-bill'd auk sails far north to Labrador, I follow quickly, I ascend to the nest in the fissure of the cliff.

They do not sweat and whine about their condition, They do not lie awake in the dark and weep for their sins, They do not make me sick discussing their duty to God, Not one is dissatisfied, not one is demented with the mania of owning things, Not one kneels to another, nor to his kind that lived thousands of years ago, Not one is respectable or unhappy over the whole earth.

So they show their relations to me and I accept them, They bring me tokens of myself, they evince them plainly in their possession. I wonder where they get those tokens, Did I pass that way huge times ago and negligently drop them? Myself moving forward then and now and forever, Gathering and showing more always and with velocity, Infinite and omnigenous, and the like of these among them, Not too exclusive toward the reachers of my remembrancers, Picking out here one that I love, and now go with him on brotherly terms.

A gigantic beauty of a stallion, fresh and responsive to my caresses, Head high in the forehead, wide between the ears, Limbs glossy and supple, tail dusting the ground, Eyes full of sparkling wickedness, ears finely cut, flexibly moving. His nostrils dilate as my heels embrace him, His well-built limbs tremble with pleasure as we race around and return. I but use you a minute, then I resign you, stallion, Why do I need your paces when I myself out-gallop them?

Even as I stand or sit passing faster than you. My ties and ballasts leave me, my elbows rest in sea-gaps, I skirt sierras, my palms cover continents, I am afoot with my vision. I visit the orchards of spheres and look at the product, And look at quintillions ripen'd and look at quintillions green. I fly those flights of a fluid and swallowing soul, My course runs below the soundings of plummets.

I help myself to material and immaterial, No guard can shut me off, no law prevent me. I anchor my ship for a little while only, My messengers continually cruise away or bring their returns to me.

I go hunting polar furs and the seal, leaping chasms with a pike-pointed staff, clinging to topples of brittle and blue. I ascend to the foretruck, I take my place late at night in the crow's-nest, We sail the arctic sea, it is plenty light enough, Through the clear atmosphere I stretch around on the wonderful beauty, The enormous masses of ice pass me and I pass them, the scenery is plain in all directions, The white-topt mountains show in the distance, I fling out my fancies toward them, We are approaching some great battle-field in which we are soon to be engaged, We pass the colossal outposts of the encampment, we pass with still feet and caution, Or we are entering by the suburbs some vast and ruin'd city, The blocks and fallen architecture more than all the living cities of the globe.

I am a free companion, I bivouac by invading watchfires, I turn the bridgroom out of bed and stay with the bride myself, I tighten her all night to my thighs and lips. My voice is the wife's voice, the screech by the rail of the stairs, They fetch my man's body up dripping and drown'd. I understand the large hearts of heroes, The courage of present times and all times, How the skipper saw the crowded and rudderless wreck of the steamship, and Death chasing it up and down the storm, How he knuckled tight and gave not back an inch, and was faithful of days and faithful of nights, And chalk'd in large letters on a board, Be of good cheer, we will not desert you; How he follow'd with them and tack'd with them three days and would not give it up, How he saved the drifting company at last, How the lank loose-gown'd women look'd when boated from the side of their prepared graves, How the silent old-faced infants and the lifted sick, and the sharp-lipp'd unshaved men; All this I swallow, it tastes good, I like it well, it becomes mine, I am the man, I suffer'd, I was there.

The disdain and calmness of martyrs, The mother of old, condemn'd for a witch, burnt with dry wood, her children gazing on, The hounded slave that flags in the race, leans by the fence, blowing, cover'd with sweat, The twinges that sting like needles his legs and neck, the murderous buckshot and the bullets, All these I feel or am.

I am the hounded slave, I wince at the bite of the dogs, Hell and despair are upon me, crack and again crack the marksmen, I clutch the rails of the fence, my gore dribs, thinn'd with the ooze of my skin, I fall on the weeds and stones, The riders spur their unwilling horses, haul close, Taunt my dizzy ears and beat me violently over the head with whip-stocks. Agonies are one of my changes of garments, I do not ask the wounded person how he feels, I myself become the wounded person, My hurts turn livid upon me as I lean on a cane and observe.

I am the mash'd fireman with breast-bone broken, Tumbling walls buried me in their debris, Heat and smoke I inspired, I heard the yelling shouts of my comrades, I heard the distant click of their picks and shovels, They have clear'd the beams away, they tenderly lift me forth.

Crash — Nicole Williams. Caçadora de Unicórnios - Diana Peterfreud. Cretino Irresistível— Christina Lauren. Céu em Chamas — Janice Diniz. Curvas para Cavill —Bianca Briones. O Clube dos Herdeiros — Fabiana Madruga. Como eu era antes de você — Jojo Moyes. O Começo de Tudo — Robyn Schneider. Claro que te amo! Claros Sinais de Loucura — Karen Harrington. Como Viver Eternamente - Sally Nicholls. Caninos Brancos — Jack London. Maas Contra todas as Probabilidades — Renata R.

Como Agarrar uma Herdeira — Julia Quinn. Deusa do Mar - P. Dizem por aí - Jill Mansell. Doença e Cura -Fabian Balbinot. O Duque e Eu - Julia Quinn. Deslembrança — Cat Patrick. Divergente - Veronica Roth. O Desconhecido - Portia da Costa. Desejo à Meia-Noite - Lisa Kleypas. Destino Sombrio - Luis Dill. Do Seu Lado - Fernanda Saads.

On Dublin Street — Samantha Young. Desastre Iminente — Jamie McGuire. Dividir e Conquistar — Carrie Ryan. De repente, o destino — Susan Fox.

Desejo — Nicole Jordan. De Repente Acontece — Susane Colasanti. Dexter HQ - JeffLindsay. Estigmas da Luz —Liana Cupini. Easy - Tammara Webber. A Esperança -Suzanne Collins. Especiais — Scott Westerfeld. E Se Fosse Verdade A Elite - Kiera Cass.

Ecos da Morte - Kimberly Derting. Eu Te Vejo — Irene Cao. O Enigma das Estrelas — F. Enroscado — Emma Chase. Essa Garota — Colleen Hoover. Fora da Lei - Nora Roberts.

Finale - Becca Fitzpatrick. A Fera - Alex Flinn. Fallen Too Far - Abbi Glines. Fazer amor - Gary Chapman. Fazendo Meu Filme 1— Paula Pimenta. Fazendo Meu Filme 2 — Paula Pimenta. Carey Fogo, como tudo começou — Kristin Cashore. Gregor e a segunda profecia- Suzanne Collins.

Gregor e a Profecia de Sangue - Suzanne Collins.

Paola Aleksandra

Guardians - Volume 2 - Luciane Rangel. Guardians — Volume 1- Resenha Rangel. Garota Tempestade - Resenha Link. Garotas de Vidro - Laurie Halse Anderson.

Game for Anything - Bella Andre. O Grande Gatsby — F. Garota, More info — Susanna Kaysen. Filme Exemplar — Gillian Flynn. Hex Hall Persepolis RachelHawkins. História de um grande Amor — Julia Quinn. I Irresistivelmente Fatal — Marcio Persepolis. Um Motim no Filme - James Dashner.

O Inferno de Gabriel - Sylvain Reynard. Insurgente - Veronica Roth. In a Heartbeat — Teodora Kostova. Inimigo Sombrio — Cate Tiernan. J Jogos Vorazes - Suzanne Collins. Julieta Imortal — Stacey Jay.

Jane Eyre — Charlote Brontë. K Karma Club - Jessica Brody. Killing Sarai - J. Losing It - Cora Carmack. Leaving Paradise -Simone Elkeles. Loucamente Sua - Rachel Gibson. Laços de Sangue - Richelle Mead. A Lua de Mel - Sophie Kinsella. A Lista do Nunca - Koethi Zan.

O Lírio Dourado - Richelle Mead. Louca pelo Garoto — Helen Fielding. Lost and Found - Nicole Willians. Louca por Você — M. Louco por Você — Jasinda Wilder. Ligeiramente Pecaminosos — Mary Balogh. Marta — Breno Melo. A Morte do Cozinheiro - Allan Pitz.

Morto até o Anoitecer — Charlaine Harris. Muito mais que uma princesa - Laura Lee Guhrke. Mundo das Sombras -Vampiro Secreto - L. Métrica — Colleen Hoover. My Favourite Mistake- Chelsea M. Morra por Mim — Amy Plum.

Mar de Rosas - Nora Roberts. Maluca Por Você Persepolis Rachel Resenha. Mar da Tranquilidade — Katja Millay. Nascida à Meia-Noite- C. Série Night Huntress- Jeaniene Filme. Nas proximidades do Amor — L. O Orgulho e Preconceito — Jane Austen. Os 13 Porquês — Jay Asher.

Os Três - Sarah Lotz. O Feitiço Azul —Richelle Mead. Howard O Retorno de Izabel - J. O Príncipe do Prazer — Nicole Jordan. Obsidiana — Jennifer L. Para sempre Ana — Sergio Carmach. Paranormalcy - Kiersten White. Pegue seu parceiro - Gena Showalter.

2 comentarios
  1. Yago:

    Princesa Adormecida — Paula Pimenta. Pegue seu parceiro - Gena Showalter.

  2. João Pedro:

    I speak the pass-word primeval, I give the sign of democracy, By God! Something I cannot see puts upward libidinous prongs, Seas of bright juice suffuse heaven. If you are like us, you have strong feelings about poetry, and about each poem you read.